Our humble beginings date back to the 1990's when we decided upon the Promotional Products industry. We worked with the biggest and the best, Disney, NBC, JD Power, Universal Studios, Kinko's and more. We grew up quickly and managed to handle the grueling work of being everything to everyone.

We settled on the Digital Art business after an epiphany about ways we could be of greater benefit to the industry we love. As it was, we were producing vectored art for our clients long before suppliers started selling their graphics cameras at garage sales. We spent loads of time on the embroidery and screen decorating portion of the industry, learning all the new "tricks" of the art trade.

While we hold no CAS or MAS degrees, we know enough about your industry to be of assistance to you in producing imprintable artwork. Our knowledge extends to letter height minimums that will sew properly on embroidery jobs, or why four color process won't work on a pad printed pen barrel (although we are following the benefits of digital process imprinting very closely).

The Bottom line is, we know your business and your needs. This makes us more than an art resource, this makes us an all around resource.An added benefit is that we still receive catalogs from suppliers on a regualr basis (just try and quit! you'll receive catalogs until the day you die!) and we continue to maintain an extensive collection. This is sometimes helpful in discovering imprint areas of some products, available imagery to produce virtual samples and sell sheets for you. Besides, we really like looking at the pictures! Some of the industry's top suppliers have caught on to us, and are referring distributors to us on an on-going basis when their own art departments are swamped. So many of the customers we serve have been a direct result of some really bad art.

We know your business, we know your suppliers, we know your time constraints and we know your art needs. We can even reccommend a great supplier for cast metal pieces if you need that information as well.


We work with them all, AIA, Proforma, Geiger, Kaeser & Blair, Thinkpromo, APSI, Ad-Cetera, Donna M. Green & Associates. No matter what size of your distributorship, we are happy to work with you. We've met some very interesting folk just dealing with our customers, each of which we like to think of as part of the "family." By the way, we even have a member of the LogoCleanUp.com "family" that is the sister of a BIG TIME movie producer and we mean BIG! Imagine how fun that relationship has been!

Wherever you are in the US, we are open during your time zone. In fact, we answer the phone between the hours of 9am EST until 5pm PST. You can also email us anytime, we generally see all emails 7 days a week. If you need us after hours, it is quite possible you will be able to reach us via email during all sorts of ungastly hours evenings and weekends (even the wee hours).

 
   
 
   


We know all of our customers by first name, have spoken on the phone with each one of them, and even recognize a lot of their voices when they call! That's the kind of business we prefer to do. Yes, the internet is a fabulous addition to our lives, but it will never replace the need to speak with someone about our business relationship.

Go ahead, pick up the phone if you'd like, we promise we'll either answer, or get right back to you if we're on the other line or out. You can reach us at 805.522.7234.


 
   

*Subject to Production Availability. LogoCleanUp.com reserves the right to quote any job differently based on complexity of the art provided. All jobs requiring more than the $27.95 price will be quoted prior to production for your approval. As a rule, the $27.95 price per logo prevails in over 95% of all work submitted.

Proofreading for errors and omissions is ultimately the responsibility of the purchaser. LogoCleanUp.com assumes no responsibility for any errors that may occur as is the industry standard. Liability shall be limited to correction of the error at no cost, on the original file that has been purchased. Final approval of all art files is the sole responsibility of the purchaser and any errors or omissions should be pointed out for correction prior to printing. As is the printing industry standard, print purchasers and brokers assume responsibility for unproofed artwork files.